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Artists and admirers collectively recall on his lasting impact of David Bowie through firsthand accounts and valued items.

The Electronic Music Icon

He proved to be among the exceptionally inspiring individuals I had the chance to met. He visited the exclusive event in London, where it allowed him to be anonymous. During sessions, he'd often vocalize amid a thick veil of cigarette smoke resembling a gorilla in the mist. On other occasions went to experience electronic music together. His mindset reflected an visionary – he sought to saturate himself in all forms since he knew ideas may stem from any source. One memorable quote he told me was the great artist: By dusting off particles from a slab of rock, the figure is already within.” That idea remained with me ever since.

It would be wonderful if the exhibit includes select his interviews, particularly ones in which he talked about DJ culture, digital technology, and the future abundance of art distribution. No one at the time grasped the change like Bowie managed to. He likened it with the words: Handle this force as a gentle trap. It feels very soft and emotional on your skin, but it can cut you like a knife.”

The Singer-Songwriter

Exploring exhibits sits as one of my most rewarding journeys. I had pictured the poet as contemplative, grieving, or captivated. But when I visited the Emily Dickinson museum, I came across her go-to white cotton house dress: something designed for chores or preparing. Regardless of the many impactful words composed on paper, this attire indicated that she was a thin-boned slender of a woman, even smaller than me. I feel a feeling that the outfits produced by the stylist would offer me a similar perspective about Bowie.

Back when I turned a 14-year-old kid growing up in rural New York State, someone handed me a copy of the iconic album. It brought me entirely to a different world. Featured on the sleeve, Bowie wore a textured suit with a abstract pattern, a tight fitted jacket open to the waist and matching trousers. He seemed otherworldly, confident, dangerously hip, androgynous, provocative. His fabulous costumes during the Ziggy Stardust to Diamond Dogs era perfected his androgynous rock star identity. Even if I did not experience every piece, I’d settle for a moment alone with this iconic ensemble that played such an formative function in my teenage transformation.

Anthony Szmieriek

During my youth, I discovered the album in an old closet. This is among the few items I inherited from my father – someone I never knew but fortunately we share an appreciation in music. Personally, the garment is about partnership, confidence and daring. A discussion in a London club with the fashion visionary created an androgynous futuristic character, the first of Bowie’s iconic alter egos inside within a type of ethereal being. The star's marriage of music, style and expression felt so enchanting and enduring that his departure almost felt like another change. I’d love to examine this outfit to comprehend the magic behind it, where it began and its legacy.

The Artist

Back when both of us lived next to each other in New York on occasion contact and say: “Hey, care to come over and make music on this song?” On an evening as I was leaving the apartment he shared with Iman, passing along an elegant hallway adorned by art, he called out: Just a moment – this is for you and presented me with his black fedora hat. When I rewatched him in the film The Hunger the other day it occurred to me: “Hey, that's the one!” For years, it disappeared, I assumed taken by people who visited back to my apartment late when I was still going hard with substances.

After relocating afterward living in Los Angeles going through some boxes and I found the David Bowie magic hat. It's a relief to own it again, however the Bowie artefact I’d most like seeing is a print for a gig in Hamburg in 1978. There’s a sketched self-portrait and underneath are releases: Low, “Heroes”, ChangesOneBowie and Space Oddity. As a a period, it's unmatched. I would adore to have the chance to return to 1978 and see him performing tracks and that album, my favourite Bowie album.

Peter Murphy, Bauhaus

When I first I encountered Bowie in the costume was in a press feature reporting that he had returned to Britain, big news at the time. That show at Wembley was an memorable experience. That era was a move out of his excessive years and he attempted to change his life, which was reflected in the outfit: sharp, formal blouse and trousers, accessory, {slick hairdo|styled